PILGRIMAGE (V) - DEVIL
As
following a path inexorably becomes a metaphor for life, so, as in life,
inexorably, bad stuff happens as well as good. My bad stuff happened on a
deserted path through scrubby woods not far from the city of Burgos .
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As
following a path inexorably becomes a metaphor for life, so, as in life,
inexorably, bad stuff happens as well as good. My bad stuff happened on a
deserted path through scrubby woods not far from the city of Burgos .
The Pyrenees are a hard start, but a great one because once you’re over that (and over sleeping with twenty strange men), you pretty much know you’ll continue. A great start, too, because they are silent, grandiose and soaringly lovely, and you know there are more such wild, joyous landscapes to come… although not for a while. For the first few days in Spain the landscape was very varied: green foothills, pretty villages, not-at-all pretty villages, considerable time spent walking through prickly brush and along melting, roaring main roads in the endless peripheries of Pamplona, not to mention the afternoon spent skirting an isolated factory, where murky, viscous effluent trickled all around and across the path. Gulp. Spain in its endless variety, and many forcible reminders of what an extremely hard, rocky, prickly country it is!
I don’t drive a car and have always walked everywhere, in town and country. But
the thing about a long, linear path is that it has to continue no matter what,
so it takes you where you’d never normally choose to walk. And you keep going –
no option. What a long walk has, though, is rhythm. It has joy and satisfaction, too, even on a bad day. A bad day
is a good day when it’s over. So the good/bad duality, the instant evaluation,
starts to be eroded.
When
I summon sensory memories of the Camino, so much comes rushing back: sand,
rock, rain and heat, prickly scrub and panting uphill… and the texture of
cheap, slightly sticky nylon bedspreads. Walkers’ hostels that are free or
extremely cheap, run by churches or local authorities, were sometimes furnished
with loving care, more often a parade of the discarded and the tacky. They were
sometimes not too clean, and you never knew who you might wake up next to. And
they were palaces, cherished homes for a night, exquisite nests for exhausted
bodies. Many years later, I read in
Buddhist texts about ‘choiceless awareness’ – just experiencing the stream of
phenomena as they are, not rushing to classify and judge. It’s a tough concept for
the children of consumer society. A difficult concept, but not so difficult in
reality. Here is the only available bed in a one-horse place and you need to
lie down on it now, soft or lumpy, clean or grubby, alone in a cavernous
dormitory or cramped in dubious company. You have no choice. And it’s fine.
It’s a liberation.

Eunate, photo by Michael Krier, UK Confraternity of St James
I’m
so glad I set off alone, for so many reasons. You aren’t really alone, of
course, on a path walked by so many – far fewer eleven years ago than walk it now,
but still I never went a day without meeting other pilgrims, walking and on
bicycles. In October, outside the Summer holiday season, some were young and
unemployed; some, like the bank-manager and the psychiatrist, had left their
jobs and were unsure what next; many were newly retired from work and free for
the first time ever to leave home for many weeks, people like S and E, who left
their home beside Lake Geneva on foot the day after E finished work on his 60th
birthday. They set out accoutred with Swiss comfort and precision. By the time
I met them several weeks later, they’d posted home their sleeping bags, all
their books except the Spanish dictionary and most of their clothes. They each
had one change of underwear only, and when it wore in holes they looked up the
Spanish for knickers and purchased more
Quickly, though it was wonderful. New friends and new landscapes every day. Movement, achievement, variety sufficient unto themselves. Life reduced to the path, and the path as a metaphor for life. Just one foot in front of the other. Choiceless awareness.

In the Rioja vineyards, near Logroño: photo by Michael Krier
A
good place to start, if you didn’t have time to begin as far away as Le Puy or Vézelay in central France, was St-Jean-Pied-de-Port, on the French side of the
Pyrenees. You walk on the first day over the mountains, crossing the frontier
into Spain, and spend the first night at the monastery in a place of great
historic and literary resonance, Roncesvalles (great website, worth exploring).
Towards a stream that flowed amid that land
Sones fell Gue into perdition black
All his sinews were strained until they snapped
And all the limbs were from his body dragged
On the green grass his clear blood gushed and ran
(Read the Chanson de Roland in the original Old French, and in English translation – and another translation. I’m sure there are versions now that read better to modern ears, but not on line).
The
first sight of the monastery’s outline in the early evening – oh
In retrospect, I don’t think it was cheating to take that lift on the first day – the only one I took. I wasn’t going to make it, if he hadn’t come along. The Spanish bank-manager told me later how he’d been laid up for a day with a bad knee, and then taken a lift for 20 miles to catch up with his new friend the Dutch psychiatrist, so they could continue the walk together. I don’t think that, done for love, was cheating either.
Photos of the Pyrenees by Maureen Measure and of Roncesvalles by Michael Krier, UK Confraternity of St James.
More to come, but not one post for every day of the walk...
I’m
not sure we ever know why, really. Perhaps it always goes deeper than the mind
can stretch.
S
had been brought up Catholic and must have known about Santiago de Compostela.
It must have been her idea, I think, to travel on the FEVE (nice website), the slow, extremely cheap narrow-gauge
railway all along the North coast of Spain. I don’t remember much detail of
that journey, having then none of the assumptions or reference points I look
for now. We found extremes of picturesque and horrible in Franco’s Spain –
fantastic kindness and closed minds, dusty poverty and smelly drains.
More than twenty years later, the name of a dearly beloved novelist, David Lodge, as presenter led me to watch a
TV documentary about the Camino. (He published soon after a lovely, lovely
novel featuring the Camino, ‘Therapy’,
wherein a successful but unhappy middle-aged man…) On TV, the Camino looked
beautiful, interesting and in places intriguingly remote. I knew a lot of the
world a little by then, and Spain quite well. But I’d never been back to the
green, rural and industrial North.
But
neither of these was the immediate reason. That was the commonest one:
overwork, middle age and an inchoate longing for ‘something else’. I’d been
working 12 years for the politicians. We all worked like shit and never took
all our annual leave. I was owed several months, so requesting one month was
not unreasonable. “I’d like the whole of October off”, I was surprised to hear
myself say.
This
is the church of Santa María, a crumbling, impressive, beguiling 12th
century Romanesque wonder in the small town of Carrión de los Condes, Palencia, Spain, on the Camino de Santiago. It’s where I
discovered that a non-believer doesn’t have to dislike churches.
We
were hooked. I was, certainly. I’d scarcely been inside a church since I left
my Church of England primary school, where twice weekly attendance was
compulsory. I loved Romanesque architecture for its great age, its warm, enclosing curves,
it’s vivid carved men and beasts from a time and mind-set so far off they might
be from another planet. This had been one of the Camino’s attractions for me. I
admired from outside, though, and never went in.
Photos ©
Instituto Cervantes (Spain), 1999-2007
The Global Cities exhibition (some good videos on the website) at Tate Modern. Cairo, Istanbul, Johannesburg, London, Los Angeles, Mexico City, Mumbai, São Paulo, Shanghai, Tokyo.
What you notice most is how you too are in the picture, how the faces around you, of those looking at the pictures, are from all the cities depicted and many more. The faces, gestures, shapes of every exhibit find their echo in the audience. We are the exhibition.
I had an interesting experience. Arriving hot and weary, I saw with some dismay that it was information-intensive: boards full of text and graphs to read and films to watch, detailing change, growth, migration, resources, statistics, comparisons - many separate, related projects.
Usually a conscientious tourist and viewer of exhibitions, anxious to take everything in, but simply lacking the energy for that, I drifted, looking at the pictures, looking at the people, snapping photos, absorbing random images.
Wondering out again some time later and into the gallery cafe, I found to my surprise that I was filled with vivid, intense, thought-provoking impressions. I'd received in this way a very strong experience of the exhibition and really got it: the endless variety, but endless sameness of cities, the chaos but repeated patterns, the beauty in ugliness, the ungraspability of millions crowded together - but here we are, obliged to be here and get on with it.
Click on photos to enlarge
Sometimes, often perhaps, the struggle to get one's head around it all is only counterproductive. I struggle to get my head around the city in a way I'd never try to to get my head around a vast forest. Content with the mystery of what creatures may lurk in the forest undergrowth, I'm daunted and repulsed by the city, so I'm always trying to 'know' it in some unknowable totality, to exercise my judgement where there is no conclusion to draw, only mind-boggling variety and constant change.
With less effort, less struggle to control the unpredictable, unknowable environment of the global city, perhaps I might be more accepting of it. It isn't going to go away. Even if I move to the country one day, the cities will keep growing, keep becoming more and more similar, but also more diverse, fragmented and ungraspable.
The detail, the face in the crowd, the moment's connection, over and over again: these are all there is. Can I let go, try to stay open to the uniqueness of a stranger?
R's plant.
I've tried not to be mawkishly obsessive - it's just a plant, after all - but it's had better care than the office plants usually get from me.
It was flowering when he died last year. So now it's flowering again.
Still with us. So is he.